Thandiswa Mazwai has long been one of the most influential musicians on the South African music scene. She began her career in 1995 with Bongo Maffin, one of the pioneering bands of the Kwaito era. After 6 award-winning albums with Bongo Maffin, she ventured onto a solo career.

We believed that Black Theatre should serve as a forum for black people to discover themselves as beings—with the ability to think, analyze, and form our own life values, rather than imitating values imposed by others.

This article examines the intricate phenomenon of ‘inclusion-to-exclude’ within the context of reshaping South African identity post-apartheid and the concurrent efforts to transform local economies.

Emahlathini Guest Farm events has created a package with limited space for people who are interested to join the poets on this retreat. The package includes transport which leaves from Joburg Theatre on Friday 1 December

Simphiwe Dana expressed excitement, stating, "I'm excited to share a stage with these talented young artists and look forward to it. I have immense respect for their work."

"This play has been a few years in the making, with the initial idea for it dating back to an animated festive lunch with my own family. Although not based directly on my family, the roots of it are deeply connected to my family dynamics and antics.”

The annoying persistent fantasy of the rainbow nation has been subjected to a popular critique. Its banality has seen even the so-called born-frees who are its supposed beneficiaries indicating some kind of discomfort with it.

The mystery and controversies surrounding the Ingonyama Trust continue to capture everyone's attention, yet it remains one of the least understood public institutions in South Africa.